Wind Floats

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sawsbuckgo:

thegreatviino:

canyoudefinethis:

heyfunniest:

Pokemon irl 

NO FUCKING WAY

I NEED THIS FOR 2K!

I would have the most buff legs ever

sawsbuckgo:

thegreatviino:

canyoudefinethis:

heyfunniest:

Pokemon irl 

NO FUCKING WAY

I NEED THIS FOR 2K!

I would have the most buff legs ever

do it.

  • red: seven insecurities
  • orange: six fears
  • yellow: five turn ons
  • green: four life goals
  • blue: three fears
  • indigo: two weaknesses
  • violet: one thing you love

bronze-wool:

Atlantis: The Lost Empire concept art by John Pomeroy.

bronze-wool:

Atlantis: The Lost Empire concept art by Mike Mignola (Part 1 of 6).

The film’s visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character and background designs, and story ideas. “Mignola’s graphic, angular style was a key influence on the ‘look’ of the characters,” stated Wise. Mignola was surprised when first contacted by the studio to work on Atlantis. His artistic influence on the film would later contribute to a cult following.

spookyjohansson:

*Jesus does the cup song at the Last Supper* You’re going to miss me when I’m gone.

(Source: officialwintersoldier)

giganticism:

#IS THIS A SUPERHERO MOVIE OR A ROMANTIC COMEDY? #SPOILER ALERT IT IS BOTH

(Source: puppysteves)

spicyshimmy:

don’t romanticize the past. romanticize the future. the future has starfleet

goforthemanboob:

(Source: iamnevertheone)

freedominwickedness:

thefingerfuckingfemalefury:

WHOSOEVER HOLDS THIS HAMMER, IF SHE BE WORTHY, SHALL POSSESS THE POWER OF THOR.

ACTUAL GODDESS NATASHA ROMANOV

I always knew she was one :D

As is so often true of comics, a lot of the awesome is in the details. Natasha can’t move the Hammer when she first reaches it. What makes her worthy at the end when she apparently wasn’t worthy just seconds before? Look at panels 2-3 again. Natasha’s got that big ogre right on top of her with his club already going back to strike … and instead of shooting it to save herself, she uses her last shot to bring down the flying reptile that’s chasing that fleeing shuttle. That act of self-sacrifice in the face of certain death is what made her worthy.

(Source: clintonfbarton)

metal-mistress:

sheepyapples:

zalein:

that-laj:

turtlecannon:

fabulous.

Ruffles!  Ruffles and buckles!  Gimme gimme gimme!

See THIS IS what you do with ruffles!!

I WANT IT

Uhhh my uterus 

metal-mistress:

sheepyapples:

zalein:

that-laj:

turtlecannon:

fabulous.

Ruffles!  Ruffles and buckles!  Gimme gimme gimme!

See THIS IS what you do with ruffles!!

I WANT IT

Uhhh my uterus 

(Source: firefly-sighs)

beginner993:

221cbakerstreet:

fightfromtheinside17:

Freddie Mercury’s vocal range, ladies and gentlemen.

We are not worthy

fuckin how

beginner993:

221cbakerstreet:

fightfromtheinside17:

Freddie Mercury’s vocal range, ladies and gentlemen.

We are not worthy

fuckin how

epic-lee:

 

epic-lee:

 

mel-tokio:

WHy yes, I aM a big fan of the animey. I have seen all of the Classics like Gundom, Orange high school horse CLub; bakemonogatorade„ monica Magical. kids these days with theyre kilt Le Kilt and Attack on Tintin, they do not appreciate quality animatoin.

reblog if you still love GOOd shows like Neon Genesis evengelatin and Boku No Pico/

jaclcfrost:

idk why wearing someone else’s shirt or sweater or jacket is so satisfying and comforting but it is

Unless you are three sizes bigger, then it’s just hilarious.

You want to say Hi to the cute girl on the subway. How will she react? Fortunately, I can tell you with some certainty, because she’s already sending messages to you. Looking out the window, reading a book, working on a computer, arms folded across chest, body away from you = do not disturb. So, y’know, don’t disturb her. Really. Even to say that you like her hair, shoes, or book. A compliment is not always a reason for women to smile and say thank you. You are a threat, remember? You are Schrödinger’s Rapist. Don’t assume that whatever you have to say will win her over with charm or flattery. Believe what she’s signaling, and back off.

If you speak, and she responds in a monosyllabic way without looking at you, she’s saying, “I don’t want to be rude, but please leave me alone.” You don’t know why. It could be “Please leave me alone because I am trying to memorize Beowulf.” It could be “Please leave me alone because you are a scary, scary man with breath like a water buffalo.” It could be “Please leave me alone because I am planning my assassination of a major geopolitical figure and I will have to kill you if you are able to recognize me and blow my cover.”

On the other hand, if she is turned towards you, making eye contact, and she responds in a friendly and talkative manner when you speak to her, you are getting a green light. You can continue the conversation until you start getting signals to back off.

The fourth point: If you fail to respect what women say, you label yourself a problem.

There’s a man with whom I went out on a single date—afternoon coffee, for one hour by the clock—on July 25th. In the two days after the date, he sent me about fifteen e-mails, scolding me for non-responsiveness. I e-mailed him back, saying, “Look, this is a disproportionate response to a single date. You are making me uncomfortable. Do not contact me again.” It is now October 7th. Does he still e-mail?

Yeah. He does. About every two weeks.

This man scores higher on the threat level scale than Man with the Cockroach Tattoos. (Who, after all, is guilty of nothing more than terrifying bad taste.) You see, Mr. E-mail has made it clear that he ignores what I say when he wants something from me. Now, I don’t know if he is an actual rapist, and I sincerely hope he’s not. But he is certainly Schrödinger’s Rapist, and this particular Schrödinger’s Rapist has a probability ratio greater than one in sixty. Because a man who ignores a woman’s NO in a non-sexual setting is more likely to ignore NO in a sexual setting, as well.

So if you speak to a woman who is otherwise occupied, you’re sending a subtle message. It is that your desire to interact trumps her right to be left alone. If you pursue a conversation when she’s tried to cut it off, you send a message. It is that your desire to speak trumps her right to be left alone. And each of those messages indicates that you believe your desires are a legitimate reason to override her rights.

For women, who are watching you very closely to determine how much of a threat you are, this is an important piece of data.

-

an excerpt from Phaedra Starling’s “Schrödinger’s Rapist: or a guy’s guide to approaching strange women without being maced” (via lostgrrrls)

HOLY FUCK THE TRUTH.

Can every one of my male followers read this? And please, before you get defensive (“I would never rape anyone!”) keep in mind, women being afraid of Shrodinger’s Rapists (oh my god i still can’t get over the encompassing brilliance of this phrase) is a conditioned, learned response from being immersed in rape culture and the evolution of sexism and sexual violence in our society from the day we’re born. And unfortunately, it’s very difficult to unlearn without the efforts of all genders to dismantle it. Which is where you come in.

(via lil-ith)

It’s also just rude and disrespectful to patently ignore what someone has told you regarding their personal space, body, and time. Get a clue.

(via geekdomme)

I will always reblog this. Always.

(via myherocomplex)